The Night “He” Came Home (The State of the Slasher in 2009, Part One)
February 10, 2009 at 5:35pm | In film, pop culture, sociology | Leave a CommentTags: friday the 13th, horror, jason voorhees, reaganomics, slasher film, state of the slasher in 2009, this really should've been my senior thesis
Michael Myers has already been there, Jason Voorhees gets in this week, and Freddy Krueger will be there soon – of course, I’m talking about your local multiplex. The classic slasher is back in a big way, as CHUD.com writer Devin Faraci notes in a recent article. Slasher films, such as the Friday the 13th remake opening this Friday, the 13th – make up a significant amount of recent mainstream horror film production, and are definitely making a killing (pun intended) at the box office. As mentioned in Faraci’s article, as well as in the New York Times, this new Friday the 13th remake (and series reboot) comes on the heels of a series of other slasher remakes, including new versions of three of the sub-genre’s founding films – Black Christmas (2006), Halloween (2007), and Prom Night (2008).
Trailer for Friday the 13th (2009)
While Faraci’s attempt to answer the most often-repeated question about the slasher sub-genre (“What is it that makes slasher films appealing?”) from a fan’s perspective is interesting, it leads him to away from a much more intriguing question – that is, “Why slashers now?” What is it about these mask-wearing, unstoppable killing machines of the Reagan era that resonates so well with horror film spectators in 2009? Why do audiences look to slasher remakes over original horror storylines? And why have these slasher movies so completely replaced the much maligned “torture porn” films – the Saws and Hostels – that ruled the horror universe earlier in the 2000s?
Stay tuned for a detailed investigation of these questions – and in the meantime, don’t go in the woods… alone!
(While you’re waiting for the next installment of this series – or just while you’re waiting for the new Friday the 13th movie – check out The 10 Days of 13 Redux on CHUD – Devin Faraci re-visits and reviews each film in the original Friday the 13th series.)
The horror, the horror
October 27, 2007 at 2:35pm | In art, culture, literature | Leave a CommentTags: comics, dracula, halloween, horror

Senses Working Overtime posts Halloween-themed content for the month of October, which led me to a 1972 issue of Dracula, a Spanish fantasy and horror comic book. The stories in “Fear, Sweet, Fear” by Enric Sió (particularly “Krazy”) are amazing – they tell simple, bizarre stories of everyday life transformed into something alien and terrifying – the trademark tone of the best horror. The use of vibrant, cheerful colors only drives home the strangeness of it all.
Next Tuesday, the Kelly Writers House is hosting a comic book event, featuring comics expert Douglas Wolk and Hans Rickheit, creator of Chrome Fetus Comics. Chrome Fetus is somewhere between Edgar Allan Poe, David Cronenberg and David Lynch; like Sió, Rickheit takes a similarly detached tone, using his illustrations to emphasize bodily transformations and the intersection of technology and the body. Wolk is present to talk about comics in general, and the need to approach them as a serious and distinct art form (as he discusses in his book, Reading Comics); while this recent reception of comics into “high culture” is great for currently working (and living) artists like Rickheit, I’m not sure if anyone has ever looked back to 1970s Spanish horror comics to seriously think about Sió’s work as art. Did he even think of himself as an artist?
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